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Blige's strain is sleekly modern and urban, and the grit in it comes from being streetwise and thoroughly realistic about the travails of life. Blige took a huge leap in artistry by penning almost everything herself (the major exception being Norman Whitfield's "I'm Going Down") in collaboration with co-producers Combs and multi-instrumentalist Chucky Thompson, and everything seems to leap directly from her gut. My Life is, from beginning to end, a brilliant, wistful individual plea of desire. The hip-hop part of the combination takes a few steps into the background, allowing Blige's tortured soul to carry the album completely, and it does so with heartwrenching authority. On October 26, 2014, the album leaked in its entirety to the Internet, with Billboard calling it 'superb' and 'objectively her best since 2005s The Breakthrough'. Blige.It was released on November 24, 2014, by Capitol Records and Matriarch Records. But it is some of the finest modern soul of the '90s, backing away to a certain extent from the hip-hop/soul consolidation that Blige introduced on her debut album. The London Sessions is the twelfth studio album by American R&B singer-songwriter Mary J.
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This certainly isn't your parents' (or grandparents') soul. The melodic sources this time around, though, are so expertly incorporated into the music that they never seem to be intrusions, instead playing like inspired dialogues with soulsters from the past, connecting past legacies with a new one. The album, which celebrated its 25th anniversary on November 29, will be released in three physical forms: a 2cd, a standard weight black double vinyl, and a triple vinyl edition in translucent blue with a lenticular cover, including bonus tracks featuring LL Cool J, and Smif ‘N Wessun. The production is not exactly original, and there is evidence here of him borrowing wholesale from other songs. Blige is set to re-release her acclaimed 1994 sophomore album, My Life, on November 20, 2020. It's not a deal breaker but this release will hopefully not be the final version. Perhaps the single finest moment in Sean "Puffy" Combs' musical career has been the production on this, Mary J.